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You are here: Home / Writing / Happy Birthday, Doris

Happy Birthday, Doris

November 22nd, 2017 by Sallie Bingham in Writing Leave a Comment

From the series: Doris Duke

Find out more about my book, The Silver Swan: In Search of Doris Duke, now available in paperback.

Doris Duke as a childIf she had outlived every possible expectation, Doris Duke would turn 105 today, November 22.

Of course she did not, dying in 1993 at 81.

Writing on the eve of her birthday, I like to think of her as the smiling little girl in this shot from one of her home movies.

Or as the slightly older, deeply engaged girl on the beach at Newport with her friend Alleda.

Sometimes a choice of a name without family connotations means an attempt to break loose from the past.

Or muddied to the knees on that same beach, maybe from digging for clams.

She always looked for, fought for, traveled for that freedom, as so many women of her generation and previous generations have done.

Just to be happy and free—an impossible goal but one we must all necessarily strive for.

Her father, James Buchanan Duke, sent a telegram of celebration to an English friend, recording Doris’ birth and that both the infant and her mother were doing well.

It must have seemed almost a miracle to him—the birth of a child after he had spent so many years building his hydroelectric and tobacco fortune, his only romantic alliance—if it was romantic—with a woman too old to have children.

For Nanaline, Doris’ mother, her birth might have seemed a miracle, as well, proof that she had finally escaped the impoverished south, her widowed mother ruined by the consequences of the Civil War, her own future, had she stayed at home, limited to the duties of a spinster daughter.

I would love to know how and why Doris’ parents chose her name. It doesn’t turn up on the family tree on either side. Sometimes a choice of a name without family connotations means an attempt to break loose from the past. If so, Doris’ life fulfilled that purpose. Or, as her father defined it in a letter, to be the finest lady the world had ever seen.

Now with Thanksgiving almost here, a lot of women who will be working to bring often-broken or at least separated families together may speculate for a minute on the meaning of being “the finest lady.”

Hard to imagine fulfilling that role when trying to drag the still half-frozen guts out of a raw turkey.

Yet we all know that we are fine, and we are ladies, because we are brave. There is no other definition that makes any sense; all the connotations of money, class, and sophistication are falling by the wayside as we face the end of the world as we know it.

In the Arizona desert, a scientist has invented a machine that sucks all the poisons out of our air, converts them into a harmless gas, and stores them while figuring out the next step. But there is no will, and no fortune—or no mass of fortunes—to sustain the development of his invention on the scale that would be required to save our world.

His work reminds me of Doris traveling from temple to temple in the Egyptian desert before the building of the Aswan dam submerged them.

She wanted to buy the temples and plant one in each of the U.S. capitols—which proved to be impractical.

Her fortune would have been only a drop in the bucket for what would be needed to duplicate the Arizona scientist’s world-saving invention.

But I have a feeling Doris would have tried.

And I am thankful for her.

[Footage from the Doris Duke Foundation Historical Archives. This collection is housed at Duke University Libraries’ Rare Book, Manuscript, and Special Collections Library: https://library.duke.edu/rubenstein/collections/creators/people/dorisduke.

The home movies are part of the exhibit “Philanthropist, Environmentalist, Collector: Doris Duke and Her Estates,” curated by Mary Samouelian and Molly Bragg at Duke University Libraries’ Rare Book, Manuscript, and Special Collections Library. See the online exhibit at: http://exhibits.library.duke.edu/exhibits/show/dorisduke.]

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In Writing Doris Duke James Buchanan Duke

A long and fruitful career as a writer began in 1960 with the publication of Sallie Bingham's novel, After Such Knowledge. This was followed by 15 collections of short stories in addition to novels, memoirs and plays, as well as the 2020 biography The Silver Swan: In Search of Doris Duke.

Her latest book, Taken by the Shawnee, is a work of historical fiction published by Turtle Point Press in June of 2024. Her previous memoir, Little Brother, was published by Sarabande Books in 2022. Her short story, "What I Learned From Fat Annie" won the Thomas Wolfe Fiction Prize in 2023 and the story "How Daddy Lost His Ear," from her forthcoming short story collection How Daddy Lost His Ear and Other Stories (September 23, 2025), received second prize in the 2023 Sean O’Faolain Short Story Competition.

She is an active and involved feminist, working for women’s empowerment, who founded the Kentucky Foundation for Women, which gives grants to Kentucky artists and writers who are feminists, The Sallie Bingham Center for Women's History and Culture at Duke University, and the Women’s Project and Productions in New York City. She lives in Santa Fe, New Mexico.

Sallie's complete biography is available here.

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Two of my best friends are contrasting examples of lives based on continuity, one the heir of a long line of good #Kentucky people with certain names repeated in every generation, the other the heir of disconnection. https://buff.ly/syJuNB3 #FriendshipQuilt #KY

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Pasatiempo, The Santa Fe New Mexican

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