Sallie Bingham

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You are here: Home / Politics / Nigerian Leaper

Nigerian Leaper

January 12th, 2025 by Sallie Bingham in My Family, Politics 2 Comments

Photo of Jimmy Carters coffin

Carter lies in state in the U.S. Capitol rotunda. By Aaron Troutman/U.S. Army. Wikipedia.

President Jimmy Carter’s funeral in Washington and the fires devouring Los Angeles where my son, his wife and their son have made their home for many years causes me grief and anxiety: grief for President Carter, whose like we may never know again, grief for the ongoing destruction of a great city, and anxiety for three people I love whose house is not immediately threatened but who will live with the long desolation of the fire’s aftermath. It’s not only about losing their house, which may yet escape destruction, but losing the birds, the trees, the buildings,  and the houses of friends that have made Los Angeles home.

For me, the hope in desolating times comes with art and with prayer. President Carter warned in the 1970’s that the United States was descending into moral chaos as memberships in all forms of community—religious, political, social—continued to decline. We are living now in the disastrous results of our faith in “getting”—money, things, status—that has gripped us all, most conspicuous, for me, is the enormous amount of packaging and shipping that has come to define Christmas: an adjective spellcheck does not recognize.

My thin hope is that Mr. Trump, who was in the cathedral for President Carter’s funeral, may draw some wisdom from the tributes paid to President Carter by men who loved him, praising him as a peace keeper, a civil rights leader, a public servant who said that the issue of women’s rights would define the future.

My other hope, which has sustained me for many years, comes from my daily writing, of which this post is an example. During a disturbed night, a vivid image came to me of a long-legged black man, dressed in flowing white trousers, flying through the air, his legs stretched out parallel to the ground far beneath him. He had sailed over ponds, expanses of ice, forests; his name, I was told, is the Nigerian Leaper.

Wherever you are as you read this, however disturbed and disheartened by the condition of our country, remember the Nigerian Leaper.

Wherever you are as you read this, however disturbed and disheartened by the condition of our country, remember the Nigerian Leaper: the transcendent figure, buoyed up rather than dragged down by misfortune, who flies over many obstacles.

And do remember your daily writing. We do not write primarily for publication—although I have been extremely fortunate in this—certainly not for money (writers and artists are not paid a living wage here), not for praise and recognition, but to nurture that still small spark that burns on quietly even when the winds are blowing fires all over the world.

And say a prayer for all those, like my son and is family, facing desolation in Los Angeles.

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In My Family, Politics Jimmy Carter

A long and fruitful career as a writer began in 1960 with the publication of Sallie Bingham's novel, After Such Knowledge. This was followed by 15 collections of short stories in addition to novels, memoirs and plays, as well as the 2020 biography The Silver Swan: In Search of Doris Duke.

Her latest book, Taken by the Shawnee, is a work of historical fiction published by Turtle Point Press in June of 2024. Her previous memoir, Little Brother, was published by Sarabande Books in 2022. Her short story, "What I Learned From Fat Annie" won the Thomas Wolfe Fiction Prize in 2023 and the story "How Daddy Lost His Ear," from her forthcoming short story collection How Daddy Lost His Ear and Other Stories (September 23, 2025), received second prize in the 2023 Sean O’Faolain Short Story Competition.

She is an active and involved feminist, working for women’s empowerment, who founded the Kentucky Foundation for Women, which gives grants to Kentucky artists and writers who are feminists, The Sallie Bingham Center for Women's History and Culture at Duke University, and the Women’s Project and Productions in New York City. She lives in Santa Fe, New Mexico.

Sallie's complete biography is available here.

Comments

  1. Martha White says

    January 15th, 2025 at 7:29 pm

    I prefer to dream that I am the one flying. Perhaps my flying dreams symbolize change and transition in waking life reminding
    me to rise up above adversities. I can say for sure that my flying dreams are exhilarating.

    Reply
  2. Bonnie Omer Johnson says

    January 26th, 2025 at 7:31 am

    Sallie, thank you for this post and for sharing the Nigerian Leaper with us. Such an encouraging image!

    Reply

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I look on the eighteen short stories in my forthcoming book How Daddy Lost His Ear and Other Stories as a miracle I will never entirely understand—or need to, but here's a stab at it. "It's Coming!": https://buff.ly/4jXDyEX @turtleppress

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One of the rants we hear a good deal lately from a certain quarter has to do with the death of manufacturing in the U.S. and unhinged speculation about bringing it back... but what was this industry? When and where did it flourish? https://buff.ly/j5Tj6a0 #LouisvilleKY #madeinKY

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Pasatiempo, The Santa Fe New Mexican

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