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You are here: Home / Women / The Uses of Scandal

The Uses of Scandal

March 2nd, 2012 by Sallie Bingham in Women, Writing 2 Comments

From the series: Doris Duke

Find out more about my book, The Silver Swan: In Search of Doris Duke, now available in paperback.

First Step Toward Writing a Biography of Doris Duke

Doris Duke, 1925

From the Doris Duke Charitable Foundation Archives

Beginning research for a new biography feels to me like stepping, with one bare toe, into a puddle of icy water.

What will I find?

What will I not find?

What will I learn, or not?

Next week, as I begin to unravel the many strands of Doris Duke’s life, I must work hard to clear away my prejudices.

How effectively can I clear away my presumptions about my subject, admitting to myself that at this point—and possibly during the whole process of researching and writing—I know nothing?

Next week, as I begin to unravel the many strands of Doris Duke’s life, preserved in a massive archive at Duke University in Durham, NC, I must work hard to clear away my presumptions, in fact, my prejudices about a woman whose whole history seems, superficially, at least, to have been clouded, or distorted, by scandal.

Called “The richest little girl in the world” by the press when her father, James Duke, co-founder of Duke Tobacco Company, died, leaving his only child in possession of millions when she was only twelve, DD (as I will for the moment call her) seems never to have had a relationship, as an adult, that departed from the noxious stereotype: a lot of money brings a lot of disaster, at least on the personal level.

I don’t believe this.

I do believe that our culture both loves and hates heiresses (even the word has a nasty ring) while it simply loves, or at least admires and envies, heirs.

Why this should be I am not entirely sure, but it certainly has something to do with power.

I have only a handful of other ideas, at the moment, and all of them will be brought into question when I begin to sift through the accounts, letters, journals and news items relating to DD, and especially the records of her extraordinary foundations and charitable enterprises which continue to influence thousands of people in this country and beyond.

My first idea: if DD’s relationship with her mother was strained, (IF), did this prevent her from forming close relationships with other women who could have served as mentors as she struggled to define herself and her life?

Did her fixation on men as lovers and consorts—if it was a fixation—(IF) reflect the expectations of the early twentieth century, before the modern women’s movement took hold?

What was the influence of the sixties on her ideas and her behavior? (PERHAPS NOTHING AT ALL)

So the icy puddle waits for my bare toe.

To wade in with both feet—which is what I will do if I decide to write this book—I must find common ground with a woman who, at this distance, seems almost an alien. I do not need to love her, but I do need to find a level of respect that allows me to conceive of her without prejudice.

And that means dealing with scandal: its meaning, and possibly its uses, as unveiling (unintentionally) the attitudes toward women which are by no means inoperative today.

MORE SOON……

 

Links: Duke Farms, Shangri La, Rough Point

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In Women, Writing Doris Duke Duke University biography James Duke Duke Tobacco Company

A long and fruitful career as a writer began in 1960 with the publication of Sallie Bingham's novel, After Such Knowledge. This was followed by 15 collections of short stories in addition to novels, memoirs and plays, as well as the 2020 biography The Silver Swan: In Search of Doris Duke.

Her latest book, Taken by the Shawnee, is a work of historical fiction published by Turtle Point Press in June of 2024. Her previous memoir, Little Brother, was published by Sarabande Books in 2022. Her short story, "What I Learned From Fat Annie" won the Thomas Wolfe Fiction Prize in 2023 and the story "How Daddy Lost His Ear," from her forthcoming short story collection How Daddy Lost His Ear and Other Stories (September 23, 2025), received second prize in the 2023 Sean O’Faolain Short Story Competition.

She is an active and involved feminist, working for women’s empowerment, who founded the Kentucky Foundation for Women, which gives grants to Kentucky artists and writers who are feminists, The Sallie Bingham Center for Women's History and Culture at Duke University, and the Women’s Project and Productions in New York City. She lives in Santa Fe, New Mexico.

Sallie's complete biography is available here.

Comments

  1. Barbara Griffith says

    March 3rd, 2012 at 11:30 am

    Interesting notion that the world both loves and hates heiresses, while it simply admires heirs.
    However, I wonder if that has, perhaps, changed.
    For instance, public opinion was very unkind toward Christina Onassis (who was victimized by both those who loved her and those who loved her money) while it’s been a good deal more charitable toward Athina Onassis Roussel.

    Reply
  2. Bridget Booher says

    March 5th, 2012 at 2:26 pm

    Sallie–Looking forward to your reading at Duke in a few weeks. Through my own Doris Duke biography research, I’ve discovered a number of rich relationships she had with women, lifelong relationships with men that went beyond romantic encounters, a wide array of activities/interest influenced by the Sixties and–best of all–that she had a healthy (if dry) sense of humor about the world and herself. A complex, fascinating woman. So glad she is finally getting her due.

    Reply

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