Sallie Bingham

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You are here: Home / Women / The Manless World: Show Jumping

The Manless World: Show Jumping

May 28th, 2015 by Sallie Bingham in Women Leave a Comment

The Manless World: Show JumpingBestriding a horse was forbidden to women a hundred years ago; the side saddle with its menacing horn was made for women like my great-grandmother Sallie who rode fearlessly, even shortly after she gave birth to the little girl who would become my grandmother. Sallie rode in the close-in country around Richmond, Virginia, often with one of her beaux, but she never rode in the kind of competition I saw last weekend.

There were men riders in those far-off days; women seldom went out on horseback alone. My Irish great-grandfather was an expert at four-in-hand, driving a carriage drawn by four horses down the Richmond streets, which first caught my great-grandmother’s attention: she’d never seen four horses driven together before. Then, jumping fences was a practical necessity to get from one field to another, or over a stream; it was not a competition carried out in a carefully manicured ring, the footing like rumpled velvet, masses of artificial flowers below the intimidating four foot jumps.

Somewhere along the way, women took over this sport, although there are still men at the highest levels.

A woman with a galloping horse between her thighs should be a powerful symbol; is this what keeps men away? Perhaps in recognition of this danger, the most reckless and skilled of the girl riders wore pink trimmings on her outfit, her pony and her saddle blanket.

Somewhere along the way, women took over this sport, although there are still men at the highest levels.

Is the absence of men—all the hard work of mucking out stalls, feeding horses, and watering and grooming the track is done by Mexican men, but they are invisible, never spoken to or looked at, as essential and as ignored as the white fence around the ring—the reason the faces of the older women riders look so sad, as though haunted by the memory or the expectation of loneliness—“crumb gatherers,” I call them, picking up bits of attention from trainers and bystanders, living off a flirtatious glance, a laugh, or a pat.

So I can’t quite conjure the image of a woman on horseback as a Valkyrie or an Amazon.

Where have we gone wrong—or can we call it wrong?—we women still emotionally dependent, to a terrifying degree, on men, especially as we grow older? Now that we’ve achieved at least the appearance of reality, outnumbering men in graduate schools, possessing large incomes (at times), why are we so often heart-broken and bereft? Do we need to wear more pink?

Called on to mother broken men and conflicted adult children who never leave home, we also tend to mother horses and dogs and flowers. Perhaps in the show ring, some of us find in our thighs’ powerful grip the agency we do not feel with the men we adore, whose eyes are fixed on other horizons.

https://youtu.be/zwddMzpvgzU

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In Women Sallie Montague Lefroy

A long and fruitful career as a writer began in 1960 with the publication of Sallie Bingham's novel, After Such Knowledge. This was followed by 15 collections of short stories in addition to novels, memoirs and plays, as well as the 2020 biography The Silver Swan: In Search of Doris Duke.

Her latest book, Taken by the Shawnee, is a work of historical fiction published by Turtle Point Press in June of 2024. Her previous memoir, Little Brother, was published by Sarabande Books in 2022. Her short story, "What I Learned From Fat Annie" won the Thomas Wolfe Fiction Prize in 2023 and the story "How Daddy Lost His Ear," from her forthcoming short story collection How Daddy Lost His Ear and Other Stories (September 23, 2025), received second prize in the 2023 Sean O’Faolain Short Story Competition.

She is an active and involved feminist, working for women’s empowerment, who founded the Kentucky Foundation for Women, which gives grants to Kentucky artists and writers who are feminists, The Sallie Bingham Center for Women's History and Culture at Duke University, and the Women’s Project and Productions in New York City. She lives in Santa Fe, New Mexico.

Sallie's complete biography is available here.

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Watch Sallie

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This event was recorded November 1, 2024 in Taos, NM at SOMOS Salon & Bookshop by KCEI Radio, Red River/Taos and broadcast on November 8, 2024.
Taken by the Shawnee Reading

Taken by the Shawnee Reading

September 1st, 2024
This reading took place at The Church of the Holy Faith in Santa Fe, New Mexico in August of 2024.

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Sallie Bingham's latest is a captivating account of ancestor's ordeal
Pasatiempo, The Santa Fe New Mexican

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