Sallie Bingham

  • Events
  • Blog
    • Doris Duke
    • Best of 2024
    • My Favorites
    • Full Archives
    • Writing
    • Women
    • Philanthropy
    • My Family
    • Politics
    • Kentucky
    • New Mexico
    • Travel
    • Art
    • Theater
    • Religion
  • Books & Plays
    • Doris Duke
    • Fiction
    • Nonfiction
    • Plays
    • Poetry
    • Anthologies
  • Writing
    • Short Stories
    • Poems
    • Plays
    • Translations
  • Resources
    • Audio
    • Video
    • Print
    • Biography
  • About
    • Contact
 
You are here: Home / Women / They

They

November 13th, 2022 by Sallie Bingham in Women 2 Comments

Photo of three protestors holding signs

“First Do No Harm” protestors at the American Academy of Pediatrics “Better Together” conference in Anaheim, on Oct. 8. Photo from @RevfoXXUS on Twitter.

We feminists hope and even believe that the work we’ve done over the past decades has expanded the boundaries of what it means, and can mean, to be a woman, but that hope and belief seems to me to have foundered on the pronoun issues of gender fluidity.

Teachers and publishers are struggling to find their way, as are the rest of us, in a time when “they” replaces “me” or “I,” leading to problems with verb conjugations and with a simple way to understand sentences. Will we learn to translate? How will “they” read the writings of the past? Will “they” abandon our foremothers, leading to further isolation, especially for writers, from the traditions that reflect a respect for the integrity of language—when it seems to fly in the face of the integrity of the individual?

We are all hearing the stories: a friend’s ten-year-old granddaughter who is insisting on transitioning—and my friend was not reassured by my saying that no doctor would agree to suppress hormones in a child still some years from adolescence who has no breasts to be sacrificed. My uneasiness with a woman sacrificing her breasts draws from the many years when we’ve tried to deal with female self-mutilation, because no matter how we justify it, slicing off breasts is a mutilation.

And yet, since I remember the misery of being a girl at a time when girls suffered every form of indignity, I understand the level of suffering that would make it seem that self-mutilation is the only way out. For me, it helped to crop my hair as short as a boy’s and borrow my brothers’ shirts, and then came all the possibilities of sexuality, most of them exciting and positive and expanding the rewards of having breasts. The power of the mature female, present in all her bodily beauty, is something I would never have wanted to give up.

We feminists hope and even believe that the work we've done over the past decades has expanded the boundaries of what it means, and can mean, to be a woman, but that hope and belief seems to me to have foundered on the pronoun issues of gender fluidity.

A recent episode on NPR’s Sunday afternoon program “In This America” brings an interview with a man receiving testosterone treatments for an experiment. He revealed that the treatments led to fantasies of rape and murder he’d never had before and which contradicted his basic character and values. Monkeying around with hormones always has unintended and possibly dangerous consequences.

What will it be like for “they” when they reach old age? By then will they have found a community of like-minded sufferers who are comforted by their shared pronoun? And what about those of us who teach and flounder when addressing the new terminology, then face the rage of “they” when misidentified?

What about publishing fiction written by “they”? Will the usage become so common, and the verb changes so accepted, that those outside of that community can still connect with “they”‘s writing? Otherwise more separation, more alienation, and a curtailment of what reading good fiction can mean: a link to other people and other realities, other pasts.

I hear when trying to discuss this issue that “it’s accepted” and there is nothing more to be said, without seeming to trample the rights of individuals to make private choices, but like most so-called private choices, this affects the rest of us. An atmosphere of intimidation that makes it hard even to address these problems is harmful to all of us; “it’s accepted” has been used for many injurious practice, such as racism.

And yet, I saw in my granddaughter’s closed and certain expression that the time for discussion, if it ever existed, is long over. And that can hardly benefit any of us.

Share
Tweet
Share
Buffer2
2 Shares

In Women

A long and fruitful career as a writer began in 1960 with the publication of Sallie Bingham's novel, After Such Knowledge. This was followed by 15 collections of short stories in addition to novels, memoirs and plays, as well as the 2020 biography The Silver Swan: In Search of Doris Duke.

Her latest book, Taken by the Shawnee, is a work of historical fiction published by Turtle Point Press in June of 2024. Her previous memoir, Little Brother, was published by Sarabande Books in 2022. Her short story, "What I Learned From Fat Annie" won the Thomas Wolfe Fiction Prize in 2023 and the story "How Daddy Lost His Ear," from her forthcoming short story collection How Daddy Lost His Ear and Other Stories (September 23, 2025), received second prize in the 2023 Sean O’Faolain Short Story Competition.

She is an active and involved feminist, working for women’s empowerment, who founded the Kentucky Foundation for Women, which gives grants to Kentucky artists and writers who are feminists, The Sallie Bingham Center for Women's History and Culture at Duke University, and the Women’s Project and Productions in New York City. She lives in Santa Fe, New Mexico.

Sallie's complete biography is available here.

Comments

  1. Lisa says

    November 13th, 2022 at 11:46 am

    Wow. Fascinating and troubling essay. I too wonder what the future holds for these young people.

    Reply
  2. Morgan says

    February 14th, 2025 at 4:47 pm

    This is the same kind of rhetoric that Donald Trump is using to target the trans community. Please show some empathy to trans people instead of spreading stereotypes and misinformation.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

 

You might also like

  • Drawn while on the Great Plains, among the Sac and Fox Indians, the sketch depicts a ceremonial dance to celebrate the two-spirit person.
    Two Spirits
    Two Spirits have always walked among us, unrecognized and, at least in the past, often reviled....
  • Photo of the Statue of Liberty
    Reasons to Hope
    It's important not to be ploughed under by the chaos and intemperance in Washington. We don't live in that swamp, and we don't need to allow our hopes and dreams to be drowned out by the noise....
  • Woman in sunglasses holding a skateboard
    Just Plain Too Many
    A wise Buddhist recommends that we never tell anyone how old we are for if we do, we will be folded in with the tiresome, the incontinent, the disposable....
  • Painting by Frances Cranmer Greenman
    Brilliant Exiles: American Women in Paris 1900-1939
    I never expected to see this current exhibit at any museum, least of all at the once sleepy Speed Museum in Louisville, Kentucky....
 

Subscribe

 

Latest Comments

  • Martha White on The Fruits of the Past Five Years: “Eudora Welty’s One Writer’s Beginnings: “And suddenly a light is thrown back, as when your train makes a curve, showing…” July 6th, 11:14 am
  • Nenita on The Fruits of the Past Five Years: “I like your writings, I can relate to you. If I had been persevering and seriously aware of my interests…” July 6th, 11:13 am
  • Sallie Bingham on Whose Eyes: “Thank you, James – you are correct!” June 29th, 11:19 am
  • Martha White on Feeding the Fish: “Blinkying Report:: Our neighborhood rabbits have been observed leaping into the air three or four feet off the ground. It…” June 29th, 8:10 am
  • Martha White on Whose Eyes: “Subtle. The “b” stays silent—subtle, even.” June 24th, 12:59 pm

Watch Sallie

Taken By The Shawnee

Taken By The Shawnee

July 6th, 2025
Sallie Bingham introduces and reads from her latest work, Taken by the Shawnee.
Visiting Linda Stein

Visiting Linda Stein

March 3rd, 2025
Back on October 28th, 2008, I visited artist Linda Stein's studio in New York City and tried on a few of her handmade suits of armor.

Listen To Sallie

Rebecca Reynolds & Salie Bingham at SOMOS

Rebecca Reynolds & Salie Bingham at SOMOS

November 8th, 2024
This event was recorded November 1, 2024 in Taos, NM at SOMOS Salon & Bookshop by KCEI Radio, Red River/Taos and broadcast on November 8, 2024.
Taken by the Shawnee Reading

Taken by the Shawnee Reading

September 1st, 2024
This reading took place at The Church of the Holy Faith in Santa Fe, New Mexico in August of 2024.

Upcoming Events

Jul 25
July 25th - July 27th

The 9th Annual Taos Writers Conference

SOMOS Salon & Bookshop
Taos MO
Sep 23
All day

How Daddy Lost His Ear – Garcia Street Books

Garcia Street Books
Santa Fe NM
Sep 30
3:00 pm - 4:30 pm MDT

How Daddy Lost His Ear – The Church of the Holy Faith

The Church of the Holy Faith
Santa Fe NM
View all of Sallie's events

Latest Tweets

salliebingham avatar Sallie Bingham @salliebingham ·
10 Jul 1943388047287963824

Recently, I was reflecting with my good friend John on the fruits of the past five years. I’m so very grateful for all my readers who keep me and my books alive! https://buff.ly/NgnRjO3 #DorisDuke #TheSilverSwan #Treason #LittleBrother #TakenByTheShawnee #HowDaddyLostHisEar

Image for the Tweet beginning: Recently, I was reflecting with Twitter feed image.
salliebingham avatar Sallie Bingham @salliebingham ·
9 Jul 1942957873966792785

It's important not to be ploughed under by the chaos and intemperance in #WashingtonDC. We don't live in that swamp, and we don't need to allow our hopes and dreams to be drowned out by the noise. "Reasons to Hope": https://buff.ly/Z8lH33D

Image for the Tweet beginning: It's important not to be Twitter feed image.
Load More

Recent Press

Sallie Bingham's latest is a captivating account of ancestor's ordeal
Pasatiempo, The Santa Fe New Mexican

“I felt she was with me” during the process of writing the book, Bingham says. “I felt I wasn’t writing anything that would have seemed to her false or unreal.”

Copyright © 2025 Sallie Bingham. All Rights Reserved.

Press Materials   —   Contact Sallie

Privacy Policy

Menu
  • Events
  • Blog
    • Doris Duke
    • Best of 2024
    • My Favorites
    • Full Archives
    • Writing
    • Women
    • Philanthropy
    • My Family
    • Politics
    • Kentucky
    • New Mexico
    • Travel
    • Art
    • Theater
    • Religion
  • Books & Plays
    • Doris Duke
    • Fiction
    • Nonfiction
    • Plays
    • Poetry
    • Anthologies
  • Writing
    • Short Stories
    • Poems
    • Plays
    • Translations
  • Resources
    • Audio
    • Video
    • Print
    • Biography
  • About
    • Contact